It was tough to wake up today. My bed was warm and my house was cold.
It was one of those days when the moment I sat up I started planning when I was going to catch a nap. This isn’t my typical Saturday morning. Usually I wake up excited about my writing routine and about making some progress toward my goals. I normally wake and make a pot of Highlander Grogg and get right to work. Monday through Friday I’m on someone else’s schedule, but Saturday mornings are mine.
Today was not that day.
I stayed in bed a little longer than usual. I had just enough time to jump in the shower before my daughter’s basketball game. As I teetered on the edge of an illness I found myself losing interest in writing today. I made a promise to myself that I would take some meds, eat some food, and then write. So here I am.
Armed with my drink, a long to-do list, and some home remedies I am reading through two new chapters in The Art and Craft of Writing Christian Fiction by Jeff Gerke.
Change the Metaphor You Use For Yourself As a Novelist
As a novelist I tell stories. I write and I edit and I put in long hours to create a story that will hopefully resonate with readers. It’s easy to call myself a storyteller, but the issue with comparing myself to someone sitting around a campfire entertaining friends with tall tales is that I don’t tell my stories with the spoken word.
Stories that are told are different. There’s a lot of summarizing and telling vs. showing. You can dwell on certain details that don’t fit well into fiction writing. Telling a ten minute story should look vastly different than a novel. Novelists need to arrange scenes, build suspense, and forge connections between readers and characters. In that sense we are more like movie directors. We set the stage, cast the characters, and decide where the camera is focused. A true novelist creates a movie in the mind of their reader. Writers are not storytellers. We are movie directors.
Should You Write What You Want or What the Market Wants?
This week I attended my first SCBWI (Society of Children’s Book Writers and Illustrators) meeting. The question which headlines this chapter of Gerke’s book came up in my small critique group.
If your ultimate goal is to get published shouldn’t you look for what is selling in the market?
The answer is simple, yes; however, yes is only the answer if your ultimate goal is to get published.
That means that the question you should really be asking is: Why do I write novels?
For me, I write because it is a gift that God has given me. I write because there are stories in my heart that God wants me to share. I write because it’s who I am. To be a published author of multiple books is a goal of mine, but I would never want to achieve that at the cost of my why.
I have to believe that the stories God has given me are from Him. I have to believe that if it is His will that I pen these stories that someone will want to publish them. I have to view my writing as a ministry before a business. If it takes years to find someone who publishes my stories so be it. If there is one thing I’ve learned from the writing market it is that the author has very little control over who buys or represents their work. I would drive myself mad writing only to get published. If I’m going to be a writer for the long run I have to do it for me and my ministry. I can’t let my eyes get so focused on publication that the heart behind my work is lost.
This may not fit everyone’s writing journey, but for me this is why I write and why I will not let the writing market dictate my stories.
The Ameri Brit Mom